Centred in academic theory in the area of exhibiting culture, this book seeks to explore the art and politics of cultural representation. While thus far this discussion has been restricted to the closed spaces of museums, exhibitions, cultural festivals and the like, here, this densely interdisciplinary problematic is approached through the unique and increasingly popular medium of Heritage Walks. Focusing on the idea of the living exhibit, the author employs her decades-long career in the field of academic cultural tourism and the performing arts to develop a uniquely critical frame and metho.